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About Zé Carlos

JOSÉ CARLOS HANS SCHWARZ, born on December 6, 1949, in Bissau, Autonomous Sector of Bissau, son of Carlos Hans Schwarz' and Justina Ramos Schwarz, both deceased, at the age of 19, i.e. from 1968 he became interested in politics and with the guidance of comrade Filinto Barros, comrade Mário Cabral and several other comrades, began o have pro-independence ideals. He attended elementary and secondary schools in Bissau, Dakar, Cape Verde, and Portugal, returning to Bissau in 1969.

In 1970 he joined the underground ranks of the PAIGC in zone zero (Bissau). A great musician, composer, and poet, his weapon in the fight against the oppressor was his guitar and his voice.
In the 1970s, he took the initiative to sing modern Guinean music in Creole, at a time of great political and social tension. He made this language the main instrument for disseminating and popularizing his art, despising the language of the colonizer, fitting in with cultural resistance, his texts marked by veiled criticism of the colonial regime.


It was not limited to a disguised and clandestine resistance to the colonial regime and the message and impact of his music drew dozens and dozens of young people to leave the capital to join the armed struggle in the interior of the country.
In 1971, he began the urban guerrilla movement, preparing attacks in the city center.
Participating directly in the placing of bombs in the most frequented central areas of Bissau.
In 1972 he was taken prisoner and as José Carlos was then part of the Portuguese army, his situation was very serious and he could have been killed had it not been for the intervention of Amílcar Cabral, who brought the arrest of José Carlos and his comrades to international attention. he remained a political prisoner in the prisons of PIDE/DGS and djiu de Galinha from May 18, 1972 to April 29, 1974, most of that time
in total isolation.

In 1974, Portugal recognized the sovereign state of Guinea-Bissau. José Carlos and Cobiana carried out various tasks dictated by the party, including receiving and welcoming the leaders in the different areas of the country, both to the south and to the east and north when there were difficulties in the relationship between the representatives of the two sides (i.e. the army and colonial administration and the victorious combatants or when there was fear of a possible uprising or resistance on the part of the former agents of the colonial forces. In order to avoid conflicts, José Carlos and Cobiana were sent to these towns and while they were entertaining balls and dancing, the new leaders were settling in.
The content of the songs conveyed messages that excited people and made them identify with the new situation. The party's message was thus transmitted, and the mere presence of José Carlos Schwarz, whose fame was already immense, served as a factor in mobilizing people.

In 1974 he was appointed to the post of director of the art and culture department of the then youth and sports commission and was also appointed head of the culture, sports and recreation department of the JAAC political commission.
In January 1977, José Carlos was sent to Cuba in the position
of business manager, taking with him his wife and two children
5 years old and 5 months old respectively.
In April 1977, he returned to Bissau to resolve problems inherent
in our financial situation because no transfer had been made from Bissau as had been promised by the then Commissariat of Foreign Affairs. It was on his way back to Cuba from Bissau that José Carlos died in a plane crash on landing in Havana on May 27, 1977.
(Completed with extracts from the book Hora di kanta tchiga, biography
by José Carlos Schwarz and Cobiana Jazz by Moema Parente Angel)

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Zé Carlos
The Foundation Jose Carlos Schwarz hereinafter referred to simply as the FOUNDATION, is a legal person governed by private law, endowed with legal personality, non-profit making, and of general public utility. To promote, develop, and disseminate Guinean culture in its various domains, with special emphasis on music, theater, cinema, literature, and the plastic arts.
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